Michi Online No. 4 / Fall 2000  
33
Ann Kameoka and H. E. Davey: Excerpt from The Japanese Way of the Flower

Wabi and sabi are multifaceted principles that involve an asymmetrical balance that is actually nothing more than a reflection of nature. What's more, while kado does utilize set principles, this "unbalanced balance" assumes a different form in each and every arrangement. You cannot simply memorize it. True understanding of an artless balance that reflects nature comes through unity with the universe. Likewise, the simple, elegant aesthetics that are also associated with wabi are a reflection of nature, as is the sabi concept of aloneness and impermanence.

Since these principles are derived from a genuine awareness of humankind's intimate connection with the universe, they should be ultimately true rather than contrived. In other words, they should not amount to an aesthetic based solely upon what was fashionable at a certain point in Japanese history. They never fall out of fashion, since they mirror the eternal aspect of nature. Understanding harmony, artlessness, and impermanence is never-ending, much like the infinite universe itself, and bona fide comprehension comes as we discover and reflect these states in ourselves.

To order copies of The Japanese Way of the Flower: Ikebana as Moving Meditation, visit the Stone Bridge Press web site.

 

 

 

 
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