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Stephen Fabian: Excerpt from Clearing Away Clouds
Through intensive training, self-discipline,
and the other steps presented in the nine lessons here,
these artists have mastered their Ways and themselves. By
so deeply involving their own inner beings in their art,
they are able to poignantly touch the souls of others
viewing or using their work. Hands, hearts, and minds
have melded with the materials and actions with which they
work daily to create true beauty, a beauty that also
pervades their own being.
Developing the self via artistic
expression with Zen precepts is a fundamental and well-known
path to self-mastery. But the Way to self-mastery does not
require that a person be steeped in Oriental wisdom or Zen
training. Other cultures around the world, Western and
Eastern, have their own recognized and recognizable
masters, men and women whose skill in specific activities
is obvious and undeniable, as is their unflappable calm.
Such individuals seem invariably to manifest an uncommon
depth and strength of character: their power and talent is
not only physical, but comes as a result of the coordination
and effort of their total being in their chosen endeavor.
At times the specific activity, the Way leading to mastery,
seems unlikely. Although some would see the competitive
sport known as "bodybuilding" as an activity dominated by
muscle-bound and narcissistic jocks, it is also an art form
in which the human body becomes a medium for sculpting, an
undertaking that requires tremendous discipline, perseverance,
and motivation. Arnold Schwarzenneger, perhaps the world's
most famous bodybuilder, has this to say in his autobiography
Arnold: The Education of a Bodybuilder: "I think the
most important things I developed through bodybuilding were
my personality, confidence, and character." His road to fame
(and fortune) was paved from the materials he used in his
daily training regimen: "I taught myself discipline, the
strictest kind of discipline. . . I could apply that discipline
to everyday life." A seven-time winner of professional
bodybuilding's most prestigious award, Mr. Olympia,
Schwarzenneger also has been the number one international
box office attraction, has served as the Chairman of the
President's Council on Physical Fitness, and promotes the
healthy development of inner city youth and the handicapped
through various athletic programs he organizes and supports.
For these successes he credits more his brain than his brawn:
"You must consider that in the beginning you are training
the mind as well as the body . . . The mind is incredible.
Once you've gained mastery over it, channeling its powers
positively for your purposes, you can do anything."
Clearly, in mastering control over matter--whether clay,
the implements of tea, flowers, or physical movements such
as kicks and punches--mastery also can come over mind,
heart and spirit. Ultimately, this is the Way of Mastery:
the enduring process of discovery and knowledge, applied
in the forging of stronger and better technique, form and
self.
The Sword and Pen are One
While the martial arts offer a particularly effective option
for mastery, and while mastery is also achievable in other
serious, artistic endeavors, fullest personal development is
perhaps best achieved by some combination of the two. In
Japan there is an expression: Bunbu ryodo (sometimes
Bunbu ryoho or Bunbu ichi), which essentially
means, "Cultural and martial [development] are both one Way,"
or more figuratively, "The sword and pen are one." Musashi
echoes this expression early in his Book of Five Rings:
"First of all, the way of warriors means familiarity with
both cultural and martial arts." And Nitobe Inazo, in his work
Bushido, tells us that part of the standard curriculum
of the bushi, besides such martial disciplines as horsemanship,
fencing, archery, jujutsu, and spearmanship, was the
study of calligraphy, ethics, and literature. As Musashi himself
discovered, to develop as a total human being, martial valor
and ferocity needs tempering with the sensitivity and softness
more frequently associated with non-martial, creative arts.
Conversely, the strength of spirit cultivated in the fighting
arts can supply the boldness and dynamism that can bring vivid
life to any art. This is the manifestation of the essential
unity of the timeless dualities of yin and yang,
neither of which is complete without the other.
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