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Muromoto: Excerpt from Kyoto Dreaming
Like all traditional budo, karatedo stressed self-discipline and arduous
training. In those days, large-scale karate tournaments in Hawai'i were
only then becoming mainstream. Martial arts was experiencing a boom, what
with the popularity of Bruce Lee movies and the TV series "Kung Fu." But in
Hawai'i, the popular stereotypes of martial arts as a badass fighting art
was tempered by the traditions passed on for decades by generations of
asian immigrants. Their perception of the budo weren't that they were
exotic "deadly" fighting methods to hurt other people. They were healthful
pursuits that were supposed to fit into a person's well-rounded lifestyle.
So kids would take up karatedo and also soccer, both of which seen as
normal and American as baseball.
But budo was beginning to falter under the weight of its own popularity.
It seemed to me that karate, in particular, was becoming big business, with
big egos and unsavory characters moving in and co-opting the ideals of budo
for their own purposes. Instead of the simple, starched white cotton uwagi
(training jacket) of judo or karatedo, some martial arts schools began to
wear satin pajamas of varying flourescent colors at tournaments.
Competitors strutted and pranced about, acting like the poor man's Muhammed
Ali, without his finesse or self-mockery. The pressure of completing my
master's degree and my disgust with the direction the martial arts were
taking made me shy away from training. One by one, I stopped regular
training, until I only continued with jo (the art of the staff) and
naginata-do (the art of the Japanese halberd). Such a long and unwieldy
weapon was hardly of any practical use in a contemporary street fight.
Tea, however, continued for me to be refined, subtle, subdued. I learned
patterns of movement and the use of the body that echoed things I had
learned in martial arts. I wasn't learning much self-defense, per se, but I
was learning general body dynamics that were applicable, in theory, to the
way the body was used in Asian martial arts. There was the similar use of
"centering," of trying to control and focus one's breathing so as to calm
one's spirit, the emphasis on proper posture and being aware and focused on
the matters at hand.
When I was involved in karate, Jerry was my sempai, although he was a year
younger than me. He had started karatedo several years before I did, which
made him, in karate years, my sempai and I was his kohai, or "younger
brother." On the other hand, in football practice, I was senior to his
junior, so I was the upperclassman. We took the sempai-kohai thing lightly,
however, and mainly simply trained, ignoring in large measure what we
thought were unnecessary rituals of etiquette in lieu of simply meeting by
the beach and training hard for hours on end, doing kata (prearranged
forms) and kumite (sparring).We continued training through high school, and
then we lost track of each other until years later, when we ran into each
other on the University of Hawai'i campus. Jerry was finishing his master's
degree in criminal law while working as a police officer, and I was getting
my master's in fine arts.
Jerry's patrol beat was the late night shift on Hotel Street, certainly one
of the toughest and most dangerous assignments I would have thought
imaginable. Hotel Street was a run-down area near downtown Honolulu full of
strip joints, low-light bars, X-rated movie theaters and porno video
stores. Drug addicts prowled the streets at night, and hookers hung on the
street corners, hustling for action.
Jerry, as a rookie, was assigned to that least-wanted beat, but he ended up
thriving there and never thought of transferring out, even though he used
to come back to his Waialua home some nights with his uniform in tatters,
brought on by the violence he had to quell.
Jerry's ability to survive in those streets was all the more unusual
because he was a transplanted haole, a Caucasian, from the mainland United
States. He ended up hanging with my brother's gang of friends in high
school, picked up the Hawai'i creole called pidgin English, absorbed the
subtle cultural cues of the islands, and learned to play the ukulele. He
also took up surfing, karatedo and football. From the time I first met him,
when he was a skinny ninth grade haole kid ripe for being punched out by
some senior haole-hating moke (local "brother"), he had evolved into a
strapping, big-shouldered, six-foot tall man. Even mokes would think twice
about picking on him, especially when his confidence had been steeled by
years of intense traditional karate training.
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